
ABOUT THE EXHIBITION:
Over four decades that included some of the most turbulent times
in our nation's history, science fiction author and cultural studies
scholar William F. Wu painstakingly gathered an archive of comics
distinguished not only by its size and reach, but by its scope: It is
perhaps the world's only, and certainly the largest, collection of
comic books featuring images of Asians and Asian Americans. Marvels and
Monsters draws from this important collection, recently donated with
the help of A/P/A Institute to the NYU Fales Library & Special
Collections.
Wu's archive isn't just a treasure
trove for fans of graphic fiction, it's also a unique and fascinating
look at America's evolving racial and cultural sensibility —
showing how images that began as racist and xenophobic propaganda
during times of war and nativist unrest have coalesced into archetypes
that in many ways still define America's perception of Asians today.
"When I began this collection, it
was because I realized that popular culture reaches virtually
everyone," says Wu. "These iconic images — good and bad
—have real-world effects on people's perceptions of themselves
and those around them."
Marvels and Monsters takes the most
potent and indelible examples of such images from the thousands in Wu's
collection, and organizes them around the archetypes they reflect and
sustain — The Alien, the Kamikaze, the Brute, the Lotus Blossom,
the Guru, the Brain, the Temptress, the Manipulator — while
placing them within both a historical context and a discourse with
contemporary Asian American writers and creators including Ken Chen, V.V. Ganeshananthan, Larry Hama, David Henry Hwang, Naomi Hirahara, Genny Lim, Greg Pak, Vijay Prashad, and Gene Luen Yang.
The exhibition also contains elements designed to encourage direct
engagement with the archetypes, such as life-sized cutouts that allow
visitors to put themselves "inside the image" and an installation
called "Shades of Yellow" that matches the shades used for Asian skin
tones in the comics with their garish PantoneTM color equivalents. It
ends with a library of present-day graphic novels by Asian American
creators — showing how their influx into the industry has
transformed how Asians are depicted.
"The images gathered here are
disturbing, even shocking, coming as they do from a genre most
associated with young readers," says Jeff Yang, "Asian Pop" columnist
for the San Francisco Chronicle and editor of the graphic novel Secret
Identities: The Asian American Superhero Anthology. "But that's
intentional: These images are our Rogues' Gallery, our own Legion of
Doom — these are the supervillains we face in our individual and
collective quest for truth, justice, and an Asian American way."